![]() ![]() ![]() Although his primary focus in recent years has been jazz, Collier has continued to perform occasionally as a featured mallet soloist with the Seattle Symphony, Spokane Symphony, Bellevue Philharmonic, Northwest Chamber Orchestra, and the Denver Symphony. He is a veteran of more than 50 years in music - his first public appearance was at age five, on xylophone, and his first professional performances were made as a nine-year-old marimba virtuoso.Ĭollier has appeared in concert with many important jazz and popular artists, including Eddie Daniels, Roger Kellaway, Frank Zappa, Emil Richards, Laurendo Almeida, Buddy DeFranco, Diane Schurr, Peggy Lee, Herb Ellis, Ernestine Anderson, Natalie Cole, Mannheim Steamroller, The Beach Boys, Della Reese, and many more. He has helped to bring visiting artists from Mexico to the University of Washington (including Son de Madera and Laura Rebolloso) and to promote active collaboration between community arts activists and university individuals and programs.ĭirector of percussion studies at the University of Washington School of Music since 1980, associate professor Tom Collier has performed and recorded with many important classical, jazz, and popular artists, in addition to recording and performing with his own jazz group. In Seattle Dudley performs on steel pan with several local bands, and participates in the Seattle Fandango Project (SFP), a community music group that practices son jarocho. He is also guest curator for a smaller version of the exhibit prepared by the Smithsonian Institution Travelling Exhibit Service (SITES), and for their website ( ), and is currently working on a book manuscript. cities, culminating in a 3-month run at the International Gallery of the Smithsonian Institution in summer 2011. American Sabor was exhibited in museums in several U.S. ![]() Popular Music, a bilingual museum exhibit that opened at the Experience Music Project in Seattle in 2008. Soca," Ethnomusicology (1996), and “El Gran Combo, Cortijo, and the Musical Geography of Cangrejos/Santurce, Puerto Rico,” Journal of Caribbean Studies (2008).ĭudley is one of the curators (along with his wife, Marisol Berríos-Miranda, and Michelle Habell-Pallan) for American Sabor: Latinos in U.S. His publications include Carnival Music in Trinidad (Oxford University Press, 2004), as well as Music From Behind the Bridge (Oxford University Press, 2008), a history of Trinidad steelband music, and numerous other articles on Caribbean music, including and "Judging by the Beat: Calypso vs. His theoretical interests include nationalism, transculturation, and participatory music practices. More recent research projects include the music of El Gran Combo, and salsa music in Puerto Rico generally, as well as Latino contributions to American popular music. He also directs the UW steeelband.ĭudley has conducted research in Trinidad and Tobago, focusing on the history and music of steelbands. He teaches courses that include music of Latin America and the Caribbean, American popular music, Music and Community, Comparative Musicianship and Analysis, and graduate seminars in Ethnomusicology. Shannon Dudley, associate professor of Ethnomusicology, holds a PhD from the University of California at Berkeley. Percussion Ensemble: “World Percussion Bash” The UW Percussion Ensemble and the UW Steel Drum Ensemble (directed by Shannon Dudley) present music from a variety of musical traditions. Music Education, Post Bac, Vocal Emphasis.Music Education, Post Bac, Instrumental Emphasis.Instrumental & Vocal Performance, Jazz & Improvised Music.Ethnomusicology, Music Education, Musicology & Music Theory. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |